The Agency of Art, UCSD University, Mandeville Gallery, La Jolla CA
Opening Reception: Thursday, April 12, 5:30 – 7:30 pm
In the Spring, Visual Arts @ 50, our two-year long series of exhibitions Anniversary of the founding of the Visual Arts Department, turns its focus from past to the future. The Agency of Art highlights the role of Visual Arts alumni/ae from the past two decades who are shaping the way art engages with social practice, the environment, science and technology. British social anthropologist Alfred Gell held that “visual art objects are not a part of language . nor do they constitute an alternative language” and thus should not be treated simply as illustrations or visual texts. Instead he argued that they are tangible indices of social interactions that act as social agents. To conclude the Anniversary series of exhibitions, The Agency of Art spotlights how the Visual Arts Department is committed to using art to reshape the world in which we live. The idea that art can change the world for the better not just by enriching the life and spirit of those for love it, but by proposing new solutions for problems uncovered by science, engineering, and social critique was a major theme of the work of Visual Arts faculty Helen Mayer Harrison (b. 1927-2018) and Newton Harrison (b. 1932). Their award-winning collaboration began at UC San Diego in 1969 -70, when Newton Harrison was an assistant professor and founding member of the Visual Arts Department and Helen Mayer Harrison was the Director of Educational Programs at UC Extension. It was then and here that they made the historic decision to form an artistic partnership, including sharing a professorial appointment, and adopted the principle that they would do no work that did not benefit ecosystems. To this end, they began to collaborate not just with each other but also with UC faculty experts in a wide range of disciplines: biology, ecology, engineering, history, architecture, urban planning, social activism, and art. The Harrisons’ commitment to collaboration, to making the world better through art, and to engaging with science, social policy, and the environment is foundational for much art today, and it might also be considered a precursor to the emerging artistic fields of socially engaged practice, Environmental Art, and Speculative Design. The Agency of Art places representative works by eighteen alumni/ae in juxtaposition with five panels from a major work by the Harrisons, Peninsula Europe, which has not previously been exhibited in San Diego. Peninsula Europe is an in-depth analysis of the fresh water system of Europe, which proposes transforming the highlands stretching from Portugal and Spain, over the Pyrenees, across the Central Massíf, to the Carpathians and beyond into a vast forest which would serve as a buffer against drought and global warming. This visionary project from the 2000-17 will serve as an introduction to the work of the younger artists who graduated from our program in the last twentyfive years or so, whose work in painting, sculpture, architecture, photography, performance, video, and new media proposes new ways to reframe and re-imagine the critical problems of the environment and society today and so to improve the world and our interactions with it and one another. Taking the Harrisons’ work as a point of departure, The Agency of Art explores how recent leading alumni variously contributed to the growing field of Conceptual Art and Speculative Design. Defining visual art as complex objects, UC San Diego artists have broadened tremendously our understanding of traditional art practices while insisting that visual art can fascinate, compel, and entrap the spectator. Katie Herzog, Jean Lowe, Heather Gwen Martin, and Jesse Mockrin, have challenged the expectations of painting in numerous ways by employing the traditions of figurative and abstract painting to reflect on the politics of identity, power structures, and knowledge economies through clever appropriation, humor, subversion of historic styles, and a unique synthesis of fashion past and present. Exploiting the paradigm that art objects can be effective as social agents, the works of Sadie Barnette, Igor Vamos, and Ruth Wallen address root causes of epic-in-scale social and environmental issues and urge younger generations to work proactively towards solving emergent problems related to the issues of human rights and social justice. Artists such as Rob Duarte, Nina Karavasiles, Virginia Maksymowicz, Roy McMakin, Roman de Salvo, and Allison Wiese have also employed design, installation, sculpture, and language to reveal and challenge social hierarchies, hidden political ideologies, and technological determinism. Others like Owen Mundy, Tim Nohe, Tim Schwartz, and Nina Waisman have furthered the concept of art made with technical expertise and imagination of a high order, art that exploits the intrinsic mechanisms of visual cognition with subtle psychological insight.
Curated by Tatiana Sizonenko, Ph.D., ’13
Professors Emeriti Helen Mayer and Newton Harrison
Visual Arts Alumni: Sadie Barnette, Roman de Salvo, Rob Duarte, Katie Herzog, Nina Karavasiles, Jean Lowe, Virginia Maksymowicz, Heather Gwen Martin, Roy McMakin, Jesse Mockrin, Owen Mundy, Tim Nohe, Sheryl Oring, Tim Schwartz, Igor Vamos, Nina Waisman, Ruth Wallen, and Allison Wiese
For more info http://www.visarts.ucsd.edu
Ralf Willruth took the photo of Nina's eyes and we laughed about it for weeks.
Welcome to Nina’s Blog. I am quickly classified as a public artist, generally meaning art for the public realm. It is different than a gallery/museum way of thinking. My way of making public art has manifested more traditionally as a site specific sculpture for a fire station. It encompasses some gorilla installations, some home and environmental designs and most recently many apartment developments. Usually having a theme, like; solar powered, low income, green, and educational. Apartment complex art is not interior design. The viewing audience is a hybrid of the general public and private art in a public space. I enjoy the variety.